Wooden Shjips (US) & Holy Monitor (GR)
@ Gagarin 20517 Mar. 19

Wooden Shjips
Gagarin 205
17 March 2019
20:30

Wooden Shjips, long-time leaders of the contemporary psychedelic movement, expand their sound with V. The quartet of Omar Ahsanuddin, Dusty Jermier, Nash Whalen and Ripley Johnson augment their already rich sound with laid back, classic summer songs. The songs were written during the summer of 2017 by singer and guitarist Ripley Johnson as an antidote to the pervasive anxiety both political and natural. As Ripley tells it, “We had huge forest fires just outside of Portland and there was intense haze and layers of ash in the city. I was sitting on my porch every evening, watching ash fall down like snow, the sky looking like it was on fire. It was an apocalyptic feeling. Summer in Portland is usually really chill and beautiful, and we were working on a ‘summer record,’ but the outside world kept intruding on my headspace.” V., a graphic representation of the Peace sign, seemed apt to an album focused on the power of peace, beauty and resistance. The music is a balm against the noise and negativity.

The first single “Staring At The Sun” is a nearly 8 minute laid back, slowly building narrative, whose lyrics tell of a gentle push and pull between the desire for sun and escape and the tug of anxiety, with peaceful resistance winning the day and guiding the tone. The restless traveler Johnson gives us a few of his signature traveling songs such as “Eclipse,” and “Red Line,” both showcases for the stellar rhythm section of Omar Ahsanuddin and Dusty Jermier. Their unparalleled sense of groove and restraint leaves ample room for Nash Whalen’s keyboard flourishes. There is movement and urgency in these tracks without aggression, a rolling foundation of rhythm over which Johnson’s voice floats and elongated melodic guitar lines soar.

Each song shimmers with a distinctly Wooden Shjips sound, a relaxed summer vibe. This was a conscious choice, an atmospheric goal that influenced nearly every detail: the tones, the delay types and reverbs used, as well as the synthesizer elements that color the songs. The basics were recorded by Jason Powers at Types Foundry Studio in Portland. The guitars and vocals were largely recorded in Ripley Johnson’s comfortable home studio. The album was mixed by Cooper Crain (Cave, Circuit Des Yeux) who the band has formed close bonds with on tour. The instructions were simple “We told Cooper to keep it really fat but to feel free to play around with the other elements, make a nice headphone mix with a lot of movement,” said Ripley, “I wanted it to be floaty because that’s kind of where my headspace was at the time.”

The band’s members collectively share a love of classic rock from the Velvet Underground to Neil Young, as well as more overt love of the San Francisco scene of the 60’s. This commonality in their formative musical years binds them even as they live in different cities. V. finds Wooden Shjips embracing the emotions behind those sounds; peaceful defiance and opposition, while creating a sound and counter narrative to today’s hostilities that is wholly their own. Wooden Shjips has with V. created the most concise, laid back songs of their career. Their music is a balm of sorts, a respite from the insanity that, through its regenerative abilities, empowers continued, calm resistance. A reminder of the simple power of peace and beauty. Wooden Shjips, through V., have demonstrated the power of beauty and the power in creating it even while experiencing overwhelming dread. It is the perfect summer album, brimming with optimism and a peaceful energy, aptly timed for release at the height of spring.

Links:
http://www.woodenshjips.com
https://www.facebook.com/woodenshjips
https://twitter.com/woodenshjips
https://www.instagram.com/woodenshjips

Venue:
Gagarin 205
205, Liosion Str.
10445 Athens
+30 211 4112500

Lubomyr Melnyk (UA)
@ Φιλολογικός Σύλλογος «Παρνασσός» 04 Apr. 19

Lubomyr Melnyk
4th April 2019
Parnassos Hall
21:00

The Master Of Continuous Piano

Minimalism at its most lush and ornate’— Pitchfork

"Another staggering accomplishment from a man who has taken the possibilities of composition and improvisation to new heights, fusing the fervor he strives to endure as a performer with the promise of creating an expansive sonic landscape for his audience that’s teeming with life and bounding with possibility' — Tiny Mix Tapes

Lubomyr Melnyk is one of the most extraordinary pianists and composers of our day.

He has been called The Prophet Of The Piano because of his life-long devotion to the instrument, and for his work in pushing the boundaries of what can be done with it. In the mid-1970s, while living in Paris, he created Continuous Music - a totally new language for the piano, one that requires amazing technical abilities that use the full natural voice of the piano.

One can recognise immediately that this music is founded in the traditional Classical piano technique - with reminiscences of Liszt and Brahms - but it also introduced many influences from Eastern philosophy, as well as minimal music, combining these into a wonderful mixture of modern romantic harmonies and melodies.

Using his extraordinary piano abilities to generate over 19.5 notes per second in each hand, he is the fastest pianist ever recorded. Since the early 1970s he has produced an astonishing oeuvre of more than 120 works, most for solo or double piano, and has blazed wholly new paths in contemporary music.


Presale:
Viva Wallet
Viva kiosks (Syntagma Sq. & Technopolis)
Seven Spots
Reload Stores
Βιβλιοπωλεία Ευριπίδης - Evripidis Bookstores
Αθηνόραμα

Venue::
Φιλολογικός Σύλλογος Παρνασσός
6, Ag. Georgiou Karytsi Square
10561 Athens
+30 21 0322 1917
www.events.lsparnas.gr

Michelle Gurevich (CA) & special guests
@ Gagarin 20517 May. 19

Michelle Gurevich
& special guests
Gagarin 205
17 May 2019
21:00


Maneuvering between grandiose retro motifs and a surprising sincerity, Michelle Gurevich’s songs are tragicomic, melody-driven, sentimental and suspended in shadowy glamour. She combines humour with dark realism in smoky and intimate ballads delivered with cutting and fatalistic lyrics. 

Her story began when her bedroom-produced debut album Party Girl, by some fateful unknown hand was delivered to the land of her forefathers, and soon made its way blaring from the yachts of Russian billionaires and as the ringtones of mothers all over the Ukraine. The daughter of a Kirov ballerina and an engineer from Leningrad, Michelle grew up listening to her parents’ collection of Soviet and 70’s European records. 

Her music has drawn comparisons to Nico and Leonard Cohen, Soviet era singing stars such as early Alla Pugacheva, with a voice akin to Tanita Tikaram. Initially operating under the moniker “Chinawoman”, in 2016 she announced a switch to her real name which included the re-release of all previous albums. Decadent, dramatic and earnest, vintage keyboards and synth strings offer the solitary rendition of a grand experience, and a voice always upfront delivers motifs familiar yet impossible to pinpoint from the great soup of European chanson.

With shows regularly selling out in cities like Istanbul, Berlin, Warsaw and Athens, Michelle has established a niche that includes the East European diaspora, the Berlin queer scene, and those with a taste for the melodramatic balladry of Charles Aznavour, Zeki Müren and Lucio Dalla. While her concerts include more live aspects and a line-up of musicians, her albums have all been recorded in the same bedroom manner, maintaining an intimacy and singleness of expression – from her bedroom to yours. A genre based partly on elements of melody and style, but moreso, a signature fatalist-celebratory approach to songwriting.


Links: 
Website: www.michellegurevich.com
Facebook: www.facebook.com/themichellegurevich
Instagram: www.instagram.com/michelle_gurevich
Twitter: www.twitter.com/new_decadence
Soundcloud: www.soundcloud.com/michellegurevich

Presale: www.viva.gr/tickets/mousiki/gagarin-205-live-music-space/michelle-gurevich

Tickets: 
15€ - Early Bird
18€ - Presale
22€ - Venue Box Office

Venue:
Gagarin 205
205, Liosion Str.
10445 Athens
+30 211 4112500

Midori Takada (JP)
@ Φιλολογικός Σύλλογος «Παρνασσός» 02 Jun. 19

Midori Takada (JP)

2 June 2019

Parnassos Hall

21:30


Midori Takada is a masterful Japanese composer and percussionist whose output over the past 40 years weaves through solo, group and theatrical practices.


Her deep quests into traditional Asian and African percussive language are captured on a series of now highly sought after albums including her masterpiece Through The Looking Glass (1981/RCA) and her collaboration with Masahiko Satoh Lunar Cruise (1990/Epic-Sony), the former reissued by WRWTFWW/Palto Flats and the latter, reissued by WRWRFWW in 2017.


In chime with the peak period ambient and Fourth World musics explored by Jon Hassell, Don Cherry and Brian Eno, but born of a distinctly Japanese ceremonial and meditative musical sensibility, her work has a crystalline quality that distills rhythms from around the world into minimalist instrumental dreamscapes.


To coincide with the reissues she has made a triumphant return to concert hall and festival stages worldwide including sold out performances at London Barbican, Paris Palais de Tokyo and Berlin Hebbel am Ufer. She has established a peerless reputation for her theatrical and deeply spiritual minimalist percussion performances, where virtuoso technique, acoustic sensibility, choreographed lighting and movement combine to create a completely unique and transformative listening experience for audiences.


Most recently she collaborated with Lafawndah on the EP/video piece Le Renaud Bleu, her first new music in 20 years.


Tickets:

25€ - A' Zone

20€ - Β΄Zone

17€ - Upper Tier


Presale:

Viva Wallet

WIND Stores

Viva kiosks (Syntagma Sq. & Technopolis)

Seven Spots

Reload Stores

Βιβλιοπωλεία Ευριπίδης - Evripidis Bookstores

Αθηνόραμα


Venue:

Φιλολογικός Σύλλογος Παρνασσός

6, Ag. Georgiou Karytsi Square

10561 Athens

+30 21 0322 1917

www.events.lsparnas.gr

Plisskën 2019
@ Athens26 Jun. 19

Let's do summer

Terry Riley & Gyan Riley (US)
@ Parnassos Hall04 Dec. 19

Terry Riley & Gyan Riley
4th December 2019
Parnassos Hall
21:30

We are presenting a full-length program of Terry's music: intricate and often improvisational structures containing elements of minimalism, jazz, ragtime, and North Indian raga, the combination of which have defined Terry's diverse and prolific career.

Minimalist pioneer Terry Riley was among the most revolutionary composers of the postwar era; famed for his introduction of repetition into Western music motifs, he also masterminded early experiments in tape loops and delay systems which left an indelible mark on the experimental music produced in his wake.

"Nothing I have done in this life has given me more satisfaction than improvising on these songs with Gyan. Nothing I have done can match the intuitive synchronicity we have shared many times on the stage. Gyan supplies a brilliant counterpoint to the strands and moods of these pieces always surprising me with a virtuosity that serves and energizes his musical invention. I could not have dreamed up a better marriage of mind and spirit than this collaboration." - Terry Riley

This event will be seated.

Tickets:
30€ - A' Zone
25€ - Β΄Zone
20€ - Upper Tier